The first time I created a Byzantine icon, it was a purely technical exercise undertaken during my academic studies: on that occasion, I simply tried to “paint” it.
Some time later, after finishing my studies, I received a commission for one.
In that case, before creating it, and as is my professional habit, I began to do some in-depth research on the subject.
I was deeply fascinated to discover the spiritual depth behind this art form, realizing that there can be no higher or more profound message that art can express than that of one’s own faith.
Pope John Paul II himself, in his letter to artists, speaks of an important dialogue between the Church and artists, developed over two thousand years of history.
It is fascinating to understand how a Byzantine icon is not painted, but “written.” This is because in its true essence and religious origin, it is not a matter of a technical pictorial execution, but is rather born from a true process of prayer.
Given the spiritual depth of this “writing,” I have chosen to create these works predominantly on commission, considering them an expression of faith even before art.
